©2017 - Cathy Read -Artist of the Year 2017 - digital image

Artist of the Year Art Exhibition

You never know what to expect at Art Exhibitions

And that’s half the fun. The Mall Galleries are below street level so when you come into the reception you stand at the top of the steps and have a great view of the whole room. This was the view as I arrived at the Private View of the Artists and Illustrators Artist of the Year Exhibition. As you can see there is a wide variety of styles, subjects and sizes.

©2017 - Cathy Read -Artist of the Year 2017 - digital image

Here's the Toast Rack in situ.

©2017 - Cathy Read -Artist of the Year 2017- digital image
©2017 - Cathy Read -Artist of the Year 2017- digital image

First of all, when you get to the events, you have to find your painting and check it’s OK and hope it’s well positioned. I think it’s the artists equivalent to the looking for yourself in a photo. It sounds self indulgent but experience has taught me that there are many things that can go wrong. Frames and glass get damaged, labels are wrong,. A good gallery will resolve the framing issues but labels and the like are less obvious and so easier to miss.

Once I know the painting is up and there are no hitches, I can relax.

Then I take in the rest of the exhibits and talk to other artists like. Titika Faralou who painting Lost is on the far Right. She had traveled from Greece for the event. The other paintings are Eyes Like Sparks by Patrick Wilkins, Belfast Life by Connor McGuire and Saller Station Majorca by John Dodson

Ginny Page is another artist who’d also traveled, the relatively shorter distance from Copenhagen, to attend the Private View. Here she is with her stunning painting The Broken Thread.

©2017 - Cathy Read -Ginny Page with her painting - The Broken Thread - Artist of the Year 2017- digital image
©2017 - Cathy Read -Peter Davis with Face Furniture (self portrait) at Artist of the Year 2017- digital image crop

Peter Davis was another artist I spoke to at length. We got chatting when he was looking around, so I didn’t immediately connect him to his painting, although we were fairly close by. Quite surprising given it’s a self portrait called Face Furniture and the likeness is spot on. Maybe it was the clothes?

I also spent time speaking to Sarah Hope who created Memory Scents which won the Canson award.

(You can see the full list of awards here.) I’ve seen Sarah’s work before at the Society or Women Artists Exhibition, so it was great to see her again along with another incredible piece.

©2017 - Cathy Read - Sarah Pope with her painting at Artist of the Year 2017- digital image

Then there were the obligatory group shots

©2017 - Cathy Read with Sarah Hope Ginny Page at Artist of the Year 2017- digital image
©2017 - Cathy Read with Sarah Hope Ginny Page at Artist of the Year 2017- digital image

In the background, either side of Memory Scents, are Catching Light by Kerri Lisa Davies and Snow White by Natasha Barnes.

©2017 - Cathy Read with Peter Davis Ginny Page Artist of the Year 2017- digital image

Either side of Peter’s painting are Return of the Gladioli by Louise Stubbings and History by Susan Johnson.

All this was after the Awards when I was delighted to discover I’d received the award from Wild and Tame!

Painting of the Hollings building or Toast Rack in ManchesterToastrack - ©2016-Cathy-Read -Watercolour-and-acrylic-ink- SOLD

The exhibition has finished now and The Toast Rack has been sold but prints are available.

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