River Lights – Original Painting


River Lights – An original painting by Cathy Read. Created in England in 2016.

The painting includes a certificate of authenticity.

Framing: The original painting River Lights is currently unframed but framing can be arrange in white painted wood with a double mount off white over dark grey.  Dimensions of picture: 29× 39 cm paper size and will be approximately 43 x 53 cm framed size. Please allow up to three weeks for framing.

Framed images are for guidance only an may differ slightly from the actual framing.

Care: Display under glass. Keep painting away from moisture, heat and bright lights or direct sunlight

All copyrights are retained by the artist, and the artwork cannot be reproduced without consent from Cathy Read.

Availability: In stock

About the Image

More dark than light, the contrast between the two give weight to this painting of the Thames at night called River Lights. The sky is energetic with a dark blue cloud exploding around the orange sky, nestled among the tall buildings. It’s hard to figure out which buildings they are or whether they even matter. What’s clear is the colour of the lights and how they’re reflected in the water. Ripples of vibrant orange, deep blue and indigo, dark greens, lurid reds and yet more yellow. You can’t ignore the yellow! Your eye is then drawn to the foreground and the rail in front of where you’re standing. Clear but dark and melding with the inky Waters.
Hiding in darkness

The line between river and land it is hard to identify on the Thames at Night. Crystal waters are spanned by a bridge, that can just be deciphered stretching to the right and off the page. The Sky may be dark but notice the textures and imagine how it feels to touch it.

Take a walk through the painting with me, imagine the smells as you walk by the Thames. The sounds of the city and the boats on the water. Listen to the rumbling traffic, the movement of the water, shouts and maybe some singing as you absorb the scene.
Defining lines

The white lines scurry across the pages as the sense of water is realised in the painting. Rapid, swirling lines that dart from side to side, break up and restart somewhere else. There’s a sense of continuity, yet the lines themselves are fragmented. Inperfect details frozen in time, with the water lapping the colours of light across to the opposite bank. Where they disappear in the gloom that obscures the Thames at night.

Imagine walking along the Thames Embankment at night, the lights of the city reflecting in the river waters. The air is cold but the skies are clear. People are wrapped up warm but the glow of the lights create a magical atmosphere, the perfect end to a romantic night out.

Creation: Masking fluid is painted onto watercolour paper to create an image. This is covered with a watercolour wash and covered with clingfilm. The picture is further developed using acrylic inks once the film is removed. The masking is removed after several layers are added and allowed to dry. Revealing the final picture.


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